Guess What I Found? (If You Find Me)

I took this April 8 2013. I reviewed this book and it is fabulous. Dark themes. Realistic characters. The book is still so fresh in my mind. The scenes are burned into my mind. I highly recommend it to readers who have a high capacity for dark themes and mature storylines. It's sad. It'll break your heart. It will remind you that the world isn't all unicorns and rainbows.

You can purchase it now, and if you can, go buy it. If not, ask for it at your local library!

Pretty Dark Nothing by Heather L. Reid

*Made Possible by NetGalley.com! Thank you very much!
Published: April 23 2013 (I have an EARC)
Publisher: Month9Books
Website: Author’s Website

Introduction

Quinn’s life is not as perfect as it used to be. Her love of her life, Jeff, suddenly dumped her. Her dad left for a life with another woman. Her mom works non-stop and is never home. It has been twenty-three days since Quinn has slept for more than ten minutes at a time. This is because demons have been haunting her dreams. She survives on energy drinks and caffeine pills. Her grades have crashed and she has been benched as cheerleading captain. One day, her demons begin to bleed into reality, terrorizing her to her limit. 

Aaron, an amnesiac, is drawn to her, and constantly saves her just in time from the demons, albeit he cannot see them. As he is drawn to her, he becomes entangled in Quinn’s demon-infested life.  

Title

                Pretty Dark Nothing. Sounds intriguing. What is the pretty dark nothing that the title refers to? Don’t expect to be blown away with an explanation. The book misses the ah-ha! moment that usually happens when you figure out the full meaning of the title. When these three words are used, it is used just as it in the title-as pretty words that mean nothing, aside from being dark and dramatic.  It is also used twice. The dramatic effect of purple prose is weakened if you keep throwing it at the reader, unless you want it to be a whole concept and explain it.   

Cover

A cover done right. It conveys the helplessness and vulnerability that Quinn faces. Essentially, she is all alone in her torment, falling into a bleak world. It is a monumental improvement over the trend of covers I have been seeing lately, namely, a lone female in a flowing dress and hair whipping in the wind.    

Paranormal/Horror Elements

                The beginning of the book is fantastic for the horror elements. Quinn falls asleep and the demons invade her dreams and try to kill her. The horror in these dreams is eerie, as shapes are made up mostly of binding whips of fog, twisted trees, and moonlight. Later on the demons take on more definite shapes with wings and sharp talons, hissing and whispering hair-raising sentiments. A horror element that stood out the most to me is how psychologically damaging the demons are to her. She cannot sleep. She might see them during the day if she looks too hard. She begins to believe the hurtful things they say, such as that no one likes her. It makes a terribly bleak setting for the protagonist to overcome. It had me hooked.

Aaron’s psychic ability should have been utilized better. Maybe he should have used his ability to actually connect with Quinn and see her demons. The story would have been much richer. Instead the reader is fed bits from Aaron’s past. It is interesting to read, but it doesn’t move the plot further, nor does it contribute to the end reveal. If you’re going to give your characters a special power, they better use it to move the plot.

The Terrible Person Award (Slight Spoilers)

Quinn wins a ribbon for being a terrible person. A protagonist that the reader is supposed to connect with shouldn’t have one of these pinned on them. It is baffling to me. Did the author realize how awful she made Quinn to be? She pines for Jeff, but oh hey, Aaron is totally into her so she sucks face with him. Then she runs off to weep for Jeff, and then she goes on a date with Aaron, but then she is caught kissing with Jeff, and then she has nothing, except that everyone is secretly/not so secretly still in love with Quinn. She thinks everyone hates her (and they do/or they should be if they were real people) but everyone is actually obsessed with her because she’s the protagonist.

In her defence, everyone has difficult moments in their lives. Her boyfriend of four years broke up with her via text-message and began a relationship with her arch nemesis. Her father left, started a new family, and hasn’t contacted her since. She’s entitled to some crying time in the fetal position. I feel for her plight with the demons and the shadows that are tormenting and influencing her. But everything else about her makes me hate her. She leads Aaron on and treats him like dirt. Twice. She is constantly the victim. What happened to fighting back? Or even trying to fight back? What happened to going all Nancy Drew on this and figuring out what is going on with her? Nope, doesn’t happen. This is an example of a weak female protagonist. She’s there for the audience to sympathise with, but she isn’t active in her own salvation. Of course, she needs a man for that. Two, apparently, one who likes to be treated like dirt and the other is a pretty terrible person too.    

The good thing about Quinn? Her name is Quinn. That’s pretty cool.  

Writing A Story (Spoilers!)

                This novel claims that it is about Quinn and Aaron fighting her literal demons. Except it isn’t. And it ends on a totally different note. Saving the world. Really? Where did this come from? Angels and heaven and guardians and light and dark souls? If this is going to be your ending, these concepts need to be included somehow in your beginning. I do recall Aaron remembering that he saw a figure by his hospital bed. This simply isn’t enough. It is like writing a love story and then BAM! aliens land and take over, the end. Sure, Reid can write a sequel (a very obvious sequel), and it will probably be much more interesting than this installment, now that something has actually happened to Quinn (other than her being a terrible human being). Do I care at this point? Not really.
  

Verdict

                This book does not stand out to me for having any particularly moving characters. If a teen reader is interested in the paranormal and horror genres, it is a suitable read if there isn't much else on the shelves. The beginning is fantastic for bringing out the sympathy for Quinn, as her life spirals downward at the hands of the demons. The demons are frightening and have real-life influences. In the end, the protagonist is a terrible person. It would make great fodder for discussion for weak female protagonists if it were used in a YA book club. You could also encourage book reports comparing a weak female protagonist to a strong female protagonist.     

If You Find Me by Emily Murdoch

*ARC from NetGalley-much thanks!

Published: March 26 2013 (I have an ARC-I reviewed this in December 2012 and was asked to hold off the blog post until April 2013)
Publisher: St. Martin's Press
Website: Author Website

Introduction

            Carey and Janessa live in the woods with their mother in a camper, removed from society. Their mother is a meth addict and leaves for several weeks at a time, forcing Carey to care for Janessa, who is a selective mute. One day, when their mother has been gone far too long, a social worker and their father come to retrieve them. They do not know this man aside from what their mother has told them-that she had to take them away from him because he was abusive. But unless Carey and Janessa want to be separated in different foster homes, they have to go with him.  

            These forest children move in with their father, their step-mother, and step-sister. It is a difficult adjustment for them. There is an abundance of food, shelter, and clothes, yet Carey is torn with her feelings towards her Mama. She thinks that their mother tried her best to take care of her children. Underneath her independent and strong exterior, Carey harbours dark secrets about their past that haunts her and keeps Ness mute.  

Pacing

            I really enjoyed how this book has such an even flow. This book isn’t about making your heart race. It’s about making your heart break. There are no adrenaline-pumping moments. It’s real. They are retrieved, taken to their new house, they meet their new family, go to school, meet people, etc. No lulls in pace or rushed moments.

Admittedly, I tend to gravitate towards the paranormal, or at least the unusual. Girls who lived in the woods with a meth head mother come to the “civilized” world as we know it is unusual. But no one is tossing around magical powers, meeting supernatural beings, solving murders, saving the country, what have you. When I finished the book my mind constantly went back to the moments when you read the words on the page and you feel the words that are not on the page. What is implied as opposed to what is just given to us. It’s like the dark-the scariest part of it is what you cannot see. You feel it is there, and that ever so slight hint makes our stomachs fall to the floor.  

During reading, you’ll come across passages that are in italics. This signals that Carey is remembering something. This isn’t a new technique that Murdoch has invented. This happens a lot in literature. For years I have been hearing that this confuses people because it switches the scene. I suggest if this is a gripe for you, you actively seek titles that employ this and get the hang of it. It’s almost like multitasking, but easier.   

Carey

            Unlike Wake and Lullaby, the protagonist is unique. Her upbringing has given her what most people would call a backwater accent or manner of speaking. She says “ain’t” and drops her “g”s when she’s not careful. This might be annoying to some people, but I don’t mind tasteful dialect usage (i.e. even when it is unfamiliar to me, at the thickest I can still tell what’s going on).

            Carey is strong, independent, and an excellent caregiver to her little sister (given their circumstances). To foster her sister’s independence and acceptance of their new life, she tries not to baby her. I found it remarkable that she could let other people take care of Ness, but Ness isn’t really her sole responsibility. Carey is very mature, but she is also a teenager with her separate responsibilities. I love the quirks that we get to see inside of her POV, like how she thinks hamburgers are handburgers and how she prays to Saint Joseph, the patron saint of Beans.

Janessa

            I thoroughly applaud the author for writing a child who acts like a child. I find too often that authors write children as short adults. Children have their own mannerisms and behaviours and are not adults. Ness has her own set of emotional problems, causing her to only speak to Carey when no one else is around. She eats “real” food too fast and becomes sick, throws a tiny fits when she’s scolded, is basically physically attached to Carey for most of their new experiences, and instantly claims the dog. I think a favourite “warm and fuzzy” moment for me was her pictures that she draws. Adorable.   

Education

            I see that this book has received a little criticism for how smart the two girls are. I really do not see anything to complain about. People-children, teens, and adults-self-educate and teach each other all the time. It’s not like Carey did not know the basics when she went into the woods. Their books include works of Emily Dickinson, Tagore, Tennyson, and Wordsworth. They had biology books. Supplement this with a dictionary for words and concepts they don’t understand, and you’ll likely get someone who is smarter than others in their age group. In the woods, once done with the basic survival and chore duties, they would probably do activities that educate themselves. This book makes it clear that Carey might be misplaced in the “civilized world”, but she knows the woods in and out. She can name plants, trees, insects, and animals, and do other basic survival tasks like hunt (hey Katniss!).They weren’t watching television like we do now. They were reading and being read to. You don’t need a registered teacher to hover over your shoulder to be motivated to teach yourself. If I didn’t teach myself outside of the public school system I would probably have the IQ of a tulip.  

Verdict

            This is an awesome book. I highly recommend it. It might be a little too dark for some people. The book treats the uncomfortable matter of child abuse in a way that it is not “in your face” or overly detailed or overly dramatized. Since it is written from Carey’s POV, you only get what she is willing to think about. It’s about girls with a difficult past trying to cope with an entirely new life. It is sad; if you have even a shred of emotional intelligence it will make you sad too. There are readers that don’t want to feel sad at all, and I respect that, so I wouldn’t recommend it to people who hate books with depressing themes. Personally, I think it is an alright choice for a teen book club as long as you understand the emotional intelligence of the teens you are dealing with. Also best to have a feel for their parents too just in case there is a parent or two who want to believe that the world is all rainbows and unicorns. And be ready to talk about the book and the dark themes. If you’re not ready to talk about the details of this book, pick something that you’re comfortable with.

You Know What You Have to Do By Bonnie Shimko

*Made Possible by NetGalley.com! Thank you very much!
Published: March 26 2013
Publisher: Amazon Children's Publishing
Website: Author’s Website

Introduction

Mary-Magdalene Feigenbaum (Maggie) is a snarky and humorous teen protagonist. Her over-the-top mother and her funeral director step-father gave her a more interesting life than most teens have. This YA fiction is set in contemporary times, complete with email and iPhones. Maggie is living a normal teenager life when her head begins to throb. A man’s voice in her head tells her to do something unthinkable. It tells her to kill bad people.

Writing

I love this book. The writing is wonderful with Maggie’s first-person narration. She has only one real friend and she knows why. Her inner dialogue is true to her age. She sounds and acts like a teenager, which I appreciate immensely. The writing is fluid throughout the entire book. The first paragraph had me hooked and I devoured the book in a night. I was never bored. When long stretches of time need to pass, the author jumps ahead instead of giving us needless filler or making the events of the story happen in too-short a time span.

Genre

The premise of the novel is fantastic for those who appreciate a good horror and suspense story. The voice in her head demands that she do these acts. She herself is not a bad person. The emotional connection to her and her plight resonated strongly within me. Sure, we all know that killing people is “bad.” But what if the people she is murdering are “bad”? And then we wonder if the voice will take it to the next level and have her killing good people. The suspense is excellent and it kept me reading it until it was finished. Shimko does an excellent job of blending these elements just right for a teen audience.

Hero or Anti-hero

I found the blurry line that the protagonist walks between hero and anti-hero to be absolutely delicious. I know that some people are absolutely frightened about routing for an anti-hero. I’m not because I’m not a potato. Not everything you’re going to read in life is going to be black and white. If you are an actual reader, you’ll encounter protagonists that you dislike because of their morals and actions. If you have some level of intelligence, you’ll love Maggie like I did. Maggie’s plight is complex and requires reflection and sympathy.  

Secondary Story/Characters

            The secondary plots and characters are amazing. I loved each story involving her best friend Abigail, the boy Lester, her mother Roxie, her step-father Harry, her birth father, and her shrink. Honestly, there are no throw-away characters. Each subplot relates to typical YA problems that Maggie, and therefore the intended reader, confronts in their lives. The big one is boys and setting boundaries. These issues are handled realistically.  

Gripes

The ending was a little soft for me, but it is acceptable, if you think about the story as a whole. A big, overly-dramatic end wouldn’t fit the mostly quiet book.  The entire book is so good, I am going to say that it was too short, because I’m nice like that.

Verdict

            If you are an intelligent reader who likes the issues presented in Judy Blume, but prefer a homicidal twist, you’ll fall into a deep pit of love with this book. Excellently written, fast-paced, contemporary, realistic, and Shimko employs a superb use of horror and suspense for a YA audience. I cannot recommend this book enough to people who like to root for the anti-hero. It would make an excellent YA book club pick and is sure to generate discussion. 

Beautiful Creatures Film Review

Beautiful Creatures 2013

  Yesterday (Feb. 16 2013) we went to see the Beautiful Creatures movie at the theater. Needless to say, we had a case of the fangirl squees while waiting for the film to start. We have been waiting to see the film since we all read the book.  

            Unfortunately, there were many times when we looked at each other and mouthed “what?!” I am adamant that adaptations from book to film cannot be exactly alike. What works in a book does not necessarily work in a film. However, while watching this film, there is the moment when you realize the film has gone crazy and has started adding unnecessary things to the story. Some of the additions are ridiculous, and I will address them, but those sections might contain spoilers and will be marked. I try not to repeat myself so while some comments could appear under many headings, I try to keep some kind of semblance of organization.

Main Characters

            Ethan does not behave as I thought he did in the book. Admittedly, I thought their banter was much more interesting in the book, and overall he had more personality. (Lena: Can we just have a normal, awkward teenager date? Ethan: I won’t even call you the next day. *note: this is not an exact quote, only what I can remember.) I still stand by my opinion that he looks older than he should, and he doesn’t have the hair that needs cutting as stated in the book. It would be one thing if the film simply ignored it, but no, it doesn’t. In the first few moments of the film Amma reminds Ethan that he needs a haircut (when he obviously doesn’t). It was a moment when the writer tells the audience “Hey, I read the book too, I know what I’m writing about.” And by the way, he doesn’t know what he’s writing about.  

            Lena is a decent actor, though like Jennifer Lawrence as Katniss in the Hunger Games film, I feel that they should have been more aware of how her face looks in certain angles. That’s something the camera and the actress needs to be aware of. My only major gripe with Lena is that her wardrobe doesn’t have the otherworldly feel like it does in the book. She is supposed to look different and out of place. Sure, she might not look exactly like her class mates, but it’s close, and maybe she is from the next town over. She is supposed to look noticeably different, and she doesn’t. Also, the charm necklace is never explained and should therefore just be taken out of the film.    

Atmosphere

            The atmosphere was well-done in the film, though I have actually never been to the south (yet). At least it looks like what other films tell me the American South looks like. However, I hate it when films have a narrative frame, trying to emulate Twilight. It would have been more effective to have Ethan speaking to someone for the set-up. Ethan: Hey Link. I hate Gatlin. You know what my mom always said, right? That we should strive to get out of this town full of religious zealots. She was right. All Gatlin talks about is the Battle of Honey Hill. Etc. There is at least one other point in the film that uses voice-over narrative that is unnecessary and shows lazy writing. Also, throwing around terms like “naturalist” without explanation is lazy writing and confusing for the audience, whether they have read the book or not.   

            I do dislike how the term southern Gothic is automatically stapled to this film. Yes, it takes place in the south and has the religious overtones known in the Bible Belt. Does it really have the abandoned, spooky buildings or other iconic symbolism? Not really. Everything is overdramatic and not scary at all. In fact, most of the scenes are in happy daylight. Southern Gothic also involves the grotesque in some way. It’s not here. So let’s stop using terms we don’t understand, shall we? It’s a teen romance movie, don’t paint it as something that it is not.

Book to Film-What Was Changed

(Mild Spoilers)

Light Vs Dark

            This change I actually liked. In the book, why you wouldn’t want to go Dark isn’t particularly clear. I assumed it has something to do with going to the dark side and you get to shoot lightning out of your fingers, but nothing is said in the book, as far as we can recall. With the exception of the “OMG once you go Dark you’ll hurt everybody you love!” you don’t know anything besides Dark=Bad.

            In the film, Dark Casters are actually bad. Ridley, a siren, actually hurts people. Sarafine has an agenda that will hurt mortals. Even Macon Ravenwood is a total jerk at one point and does something mean to Ethan.   

Claiming

All Duchannes are Claimed, male or female, in the book. In the film, only the men get to choose and the girls still get Claimed. Why did they change this in the film? They made it a girl only curse that is directly related to their bloodline. I think this was a stupid idea that was totally unnecessary. Why change what isn't broken? 

Secondary Characters

            A lot of fail here. Why don’t we get to hear about any of the family’s powers? Where are all the other family members? Larkin’s purpose in the film has been so altered, I have to ask: why is he even in the film? Marian has been cut and replaced with Amma. Amma is supposed to be the Caster and Public Library librarian, on top of being Ethan’s caretaker (which is not explained, to my recollection) and a seer. This doesn’t give her much time to do all the other things she is supposed to do in the story, and I hate how the film just neglects logic and piles all this on her character. Ethan’s father never makes an appearance and he is swiftly forgotten. Not much mentioning of Ethan’s mother, either, when she plays a role in the first book even though she is absent. Don’t even get me started on what they did to Macon in the end of the film.   

Sarafine   

Why is Sarafine introduced so early? The whole “OMG she’s been influencing everyone the entire time!” falls flat because in the film, we are SHOWN a huge reveal too soon. The audience is left going:...ok....so here’s Sarafine, being evil. I guess she’s the bad guy. The film tells us: Please be afraid of her now. This doesn’t really work.  

Ending

            The ending was ridiculous. I will not apologize for my statement either. It was stupid and uninspired. It was like whoever wrote the screenplay felt pressured to throw in a mish-mash of overused tripe and call it a day. Even the lines the actors were given are just awful. Why did they deviate from the source material so badly? I can't stand what they did to Macon and Ridley.

Verdict

            An alright movie for people who have not read the book and are into paranormal romances. The ending was rubbish. The beginning was more than decent for this kind of film. It had some interesting and thrilling scenes with magic like spinning tables. The love story was alright. Better than Twilight. Atmosphere and acting was enjoyable. If the second film is made despite the abysmal ending, I hope they get a better screen writer.