Yes, it's true that I haven't been posting in the last four months. I am currently closed to reviews (and seriously, check my status before sending a request). I have a backlog of books to review. I'm not currently reading YA lit because I really can't keep adding to the backlog.
What has kept me from posting?
I got a new job, in a library! I am in another medical library, though I also staff the patient library, and this is my favourite location because I get to help patients find oncology information.
Yay!
But I moved to a new city, by myself.
Boo.
So I've been navigating starting a new job, ending an old job (which was an experience all of its own!), living in a new (not-so-awesome city), and getting an apartment...and getting another apartment because of a long list of reasons. I also got some fantastic input from an agent about my book, so I'm trying to work on that.
I knocked out two posts today, but I still have a few, including:
The Book of Ivy (audio book);
The Lonely;
The Ocean at the End of the Lane; and
The Chaos Walking Trilogy.
One could say, "Maybe if you didn't binge watch the entire series to date of Game of Thrones, or the third season of Vikings, or the entire series of Sons of Anarchy, you'd have more time to review."
Maybe. I might even say that is true.
Sunday, 28 June 2015
Insurgent Film Review
The Divergent Trilogy Reviews
The Divergent Film Reviews
Spoilers Ahead!
The Not So Good or Changes
- Marcus fell off the face of the film. He was important in the book, and the film was just like, nope.
- Johanna fell off the face of the film. She was involved throughout the book, but she just stays home, I guess.
- Amity isn't so strict on wearing their faction colours (according to the internet anyway), but they don't even try.
- Where is the drug bread?!
- Four mom is not supposed to be white (according to Roth, she's a "POC"). The film lost a huge aspect that could have enriched the film.
Four's mom is really pretty, though. |
- The hard drive from Insurgent has been replaced…with a box that has to be unlocked via simulations. This makes the film much more like a video game. I do have to say that with the previous film, that she could manipulate the simulations, there is a natural progression between the films.
The magic box. |
- The one who delivers the final message to the society…is not named. Of course, the next book is being split between two films, so they have lots of time to "discover" the identity.
- Jeanine is killed by someone different. In the film, to me, it makes more sense. In the book, yeah, it's satisfying, but considering all that Jeanine has done, the film did it right. It will have huge implications for the next two films.
- Still no Edward (but see my note at the end of this review).
- In the book, she cuts her hair shoulder length, by herself. In the film, she gives herself a perfect close cut using her reflection in a window. The other adult we went with is a male, and he was like, wow, she did the back really well.
Got a window? That's all you need! |
Who needs hairdressers? I like the front btw, just not...anything else from it. |
The Good
- The picnic table!
I wish I had a better picture of this! |
- The film had a lot of action, which the book didn't have much of.
- Tris got a few more tattoos. In Divergent, she got more than the bird tattoos. However, when did she get these? It’s doubtful that Amity has tattoo shacks in between the vegetable gardens and the stables.
That's all I got for Insurgent. BUT I want to mention that a complaint I had with the Divergent film was that the butter knife scene was absent. The scene was filmed and didn't make the final cut. I put a link in my original film, but I'll also post it here:
Sunday, 15 March 2015
If You Could be Mine by Sara Farizan
Twitter Username:
SaraFarizan
Publish Date: August
20th 2013
Publisher: Alqonquin
Young Readers
Format: Audiobook, Unabridged
Narrated By: Negin Farsad
Introduction
Sahar is sixteen-years-old and in
love with her best friend, Nasrin. They share secret kisses and promise each
other their love. The problem is that they live in Iran, and homosexuality is
forbidden under the threat of hanging. Then it comes to light that Nasrin has a
marriage arranged by her family. Nasrin wants to continue the secret affair,
but Sahar wants Nasrin exclusively. Sahar discovers a loophole in the law for
them to be together, but the journey to that conclusion is complicated.
Narrator
At first, I
was weary of a narrator with a strong accent. My hearing isn’t always the best,
and I knew there would be an abundance of unfamiliar words. As the chapters
went on I was surprised that I was enjoying her voice and that I had no
problems. Farsad delivers all her lines with the correct emotion, and she does
dry humour very well. She is of Iranian decent, born in the United States, so I
believe her voice to be authentic (as opposed to an English speaker attempting
to impersonate and fail miserably).
Love Story
The two
main women are beautifully written for each other. Nasrin is confident and
occasionally the target of the morality police because of her flashy clothes.
Sahar is more conservative and she is intelligent. I can definitely see why
they would fall in love. Of course, each has their pit falls. Nasrin is
selfish. Sahar believes she can fix everything herself. A perfect couple? Of
course not, but who are? Perhaps they are staying with each other because they
have been together since they were children and perhaps because they are the
only lesbians they know (highly probable for most of the book). What we do have
is a couple that want to be together in a country that has forbidden their
love.
That said, I don’t think I have
ever disliked a love interest more than I have disliked Nasrin. But before
everyone starts hating on Sahar for her target of affection, I bet most people
have had a partner that they loved and a lot of people hated. It’s the eye of
the beholder.
But Nasrin did aggravated me. As
much as I wanted to pull my hair out at her stupidity, she is well-written. I get why she does most of the things she
does, even if I hate her decisions. As I wanted Sahar to succeed I felt like
Nasrin was the one impeding change and it was so frustrating in a good way.
Cousin Ali
This charismatic man is my
favourite character. Sure, he’s a convenient character, another homosexual in
Iran who knows the ropes and who has enough power in the underground to keep
himself and his friends safe. I still like him – he does want everyone to be
happy as they are. A little too easy
going, but he’s an interesting layer in this story. And he is funny – my
favourite line was when he said Sahar should leave and go to Turkey to find a
particular kind of woman.
Story
Spoilers Ahead!
It is true that Sahar has no idea
what she’s getting into, though I argue that the information must be difficult
to come by. While it is not illegal to get sex reassignment surgery, it
probably isn’t widely accepted, so you can’t just ask your parents about it.
Sahar is desperate, and yes, her plan could work, and that’s what gives this
novel the extra layer. It is plausible. What if she goes through with it? Will
Nasrin still love her? Will Sahar’s family still love her, or will they shun
her?
Topics for discussion or a paper
could be gender identity in an oppressive society or LGBTQ love in an
oppressive society. These are fairly obvious topics, but there is so much
content here. Plus, this novel takes place in modern-day Iran, so a student can
do a lot of research about Iran and its policies. Something interesting that
can be written about is a person’s ties to a country that is oppressing them –
if they leave, stay to make it better, or stay and live with how the country
is.
Book Club
An older
audience would be the best audience for this. I have seen reviews of people
saying that it is inappropriate for middle-graders, and I have not seen anything saying that this book
is marketed towards middle-graders.
It’s like taking Hamlet and getting
huffy about it not being suitable for kindergarteners. Have you read the back
of the book?
Also, you
should probably know your book club audience because of the subject matter.
Something
interesting for a book club would be to also have a display of Iranian architecture,
clothing, and food, like those mentioned in the book, around the book club
meeting space. This could perhaps cross some of the cultural barriers we have. This
book lacks description about how Iranian society is visually, and pictures
could be an excellent accompaniment.
Ending
Spoilers Ahead! (And a bit of a rant.)
To anyone who wants to argue that Sahar
should have left to Istanbul with Ali…she doesn’t want to leave her father. She
also believes that Iran is her home, and she doesn’t want to abandon it. And
ultimately, she doesn’t want to leave Nasrin either, even if she can’t have
her. I’m not sure why this confuses people. It would be hard for me to leave
too. There are many people,
especially women, who will explain why
people stay in situations that are not ideal or even dangerous.
A book isn’t going to end the way
you want it so it will suit you. Personally, I loved the ending because it was
so bittersweet. The last 30 minutes or so of audio gave some small hope to
Sahar, even though it is still not an accepted relationship in Iran. I think
she can be happy and wow that make me
happy for her.
Final Verdict
I listened
to If You Could be Mine as an ebook,
but I think I should have first experienced it as a paper book to get the language
ingrained in my head properly, though listening to the proper pronunciation was
helpful. I was rooting for Sahar even though I didn’t know if she should follow
through with her plan or not – I just wanted her and Nasrin to be happy. I
highly recommend this book to older teens or teens that are interested in LGBTQ
relationships or issues, or oppressive governments. However, be cautious with
the subject matter.
Sunday, 8 March 2015
Where She Went by Gayle Forman
If I Stay Series
Published: April
5th 2011
Publisher: Dutton Juvenile /Penguin Audio
Publisher: Dutton Juvenile /Penguin Audio
Website: Author’s Website
Series: If I Stay
Format: Audiobook,
Unabridged
Narrated By: Dan Bittner
Narrated By: Dan Bittner
Quick Review
Introduction
Three years after the end of Mia
and Adam’s relationship, Adam happens upon one of Mia’s concerts and watches
her play her cello. They rekindle their friendship, not talking about what has
happened, even though Adam needs to know why Mia abandoned him.
Story
Where She Went is different than its predecessor
in many ways. The focus is so different, it’s hard to say if I would have
enjoyed it if I had never read If
I Stay. If I Stay has an
interesting mix of character drama and the afterlife (without there actually
being any definite afterlife). Where She
Went lost most of the intrigue about being in limbo. Sure, the book tries, giving glimpses into Mia’s
opinions/feelings about her experience and the death of her family, but it
falls flat. What it does well mirrors what the first book also did well –
character-driven drama.
Protagonist/Narration
Instead
of the protagonist being Mia, this book was from Adam’s first-person POV. Mia
didn’t stand out to me, but Adam and the book’s narrator, Dan Bittner,
was much better. I find Adam has more personality than Mia, even though he can
be creepy, at least he is interesting. Three years is a bit long to be hung up
on someone, though. Maybe so much time shouldn’t have passed, though the author
probably had to have her graduated or near graduation for this story to work.
Adam lives in a self-destructive world that gets old really quick, and there
are three whole years to listen/read
about. Adam isn’t like other people with usual ex-partner situations, where
you acknowledge that they are probably living and probably happy but you couldn’t
care less either way. And this is Adam’s problem; a student could write an
interesting paper about the unhealthy relationship they hold on each other.
Mia
I hated Mia
in this book. Her decisions and her actions hurt Adam, and you can criticise
Adam for handling it poorly all you want, but the fault falls on Mia for being
a terrible person. People break up all the time, and at least one person is
usually crushed. But, Mia, seriously? I couldn’t believe what she did. It didn’t
fit her character either, but the
reader is blindsided as much as Adam was, so that experience is realistic.
What I did like was how Mia became
the antagonist. Yes, there are other characters that are halting Adam’s
progress (in life), but Mia is the worst figure here, even though she is
presenting herself as her familiar, sweet self.
Writing
Perhaps it is Adam’s cynical
thoughts and reckless behaviour, but I liked the writing more in Where She Went. Even when he scared me
when he thinks this:
“And I have to fight the urge to take her by the shoulders and slam her against a shuttered building until we feel the vibrations ringing through both of us. Because I suddenly want to hear her bones rattle. I want to feel the softness of her flesh give, to hear her gasp as my hip bone jams into her. I want to yank her head back until her neck is exposed. I want to rip my hands through her hair until her breath is labored. I want to make her cry and then lick up the tears. And then I want to take my mouth to hers, to devour her alive, to transmit all the things she can’t understand.”
Crazy? Yes. Interesting? Yes. It was creepy to listen to when I was walking home at night in the city.
Read this book if you really want to close the story from If I Stay. This book lacks the wonderful ambiguity that made readers think about the afterlife, if Mia should choose to live or pass on, and if she should stay with Adam. While I like Dan Bittner’s delivery and I like Adman’s cynicism, there was a lot of whining coming from Adam. There is only so much a reader can take. I wonder though, if this is because I am an adult now, and some books that I loved as a teen I can no longer stand now (cough*Palahniuk *). Maybe I would have found him more tolerable as a teen – and maybe this is a voice that teens will love, it’s hard to say. For a book club pick, I’d only use it if previous participants really loved the first one and they really want to read the next one together.
Monday, 16 February 2015
Rise by Anna Carey
The Eve Series
Published: April 2nd 2013
Publisher:
Harper Audio
Website: Author’s Website
Series: Eve
Format: Audiobook, Unabridged
Narration by: Tavia Gilbert
Website: Author’s Website
Series: Eve
Format: Audiobook, Unabridged
Narration by: Tavia Gilbert
Quick Review
Introduction
Taking place after the events of the
last book, Eve has to live in the palace of the City of Sand. Caleb has been
executed, she has married Charles against her will, and she soon discovers the repercussions
of her one night with Caleb. Life in the palace plays against the backdrop of a
growing revolution in the city, and Eve wants revenge against her father for
killing the one man she has ever loved. Luckily, the elusive Moss is there to
help.
Characters
The characters in the last
installment face many changes. Eve has been separated and reunited with most
characters. Most are satisfying, and some will break your heart.
Arden
is absent for most of the book. Where she does go, I saw it coming, but it made
me cheer inside. This book cements her sheer awesomeness, but she really needs
her own book series.
Clara
has changed in this book for the better. She still carries the same bossy
attitude, but she moves forward with Eve in many ways. She is an example of a
character that changes with the tides of the world but still keeps her
essential characteristics. She is another character that I do not want to say
goodbye to. She doesn’t get much of an ending for herself, though the reader
can assume her fate in the end.
Charles,
poor Charles. He tried so hard with Eve, but she was forced to marry him. He
could have forced himself on her, despite her love for a dead man, but he doesn’t.
In fact, he goes out of his way to protect and help her. All for a woman who
doesn’t love him – a woman who wants to tear down the very society that has
treated him very well.
Rebellion
I have to say that the rebellion
aspect was a little underwhelming, though that is because the reader is
delivered events only from Eve’s perspective, and she is stuck in the palace or
within the city while under soldier supervision.
Where the book shines is what Eve
does for the rebellion. In Once, Eve
was forced to leave Arden, Pip, Ruby, and all the other girls at the schools.
Readers have criticized her for not doing anything for them (though when
exactly and how was she supposed to manage that?). In this book, she takes
action to save as many girls as she can. Her actions are realistic – at that
point, she couldn’t take down the government all by herself. She helped as many
girls as she could muster in a short amount of time. Girls were left behind, so
it feels like Schindler’s List – she wished she could have done more, but she
moved forward with those she did save.
The Very End
Spoilers ahead
This
is my very favourite part of the book, and after a brief search on the
internet, a lot of people hated it.
And yes, you can write whole feminist essays in favour for, or against, the
ending. Personally, I was so happy that Rise
ended the way that it did. Since this is a quick review, I will only go through
my reasons briefly.
So,
Caleb isn’t dead. Yes, this resurrection is a bit…exasperating. Granted, I didn’t
see it coming, and it could happen. Eve’s father is a duplicitous and
calculating man. If he needed some leverage against her, he would still have
Caleb’s life to manipulate her.
Caleb
starts the revolution, as far as Eve is concerned. She helped the rebellion by
stealing maps in Once, so she was
willing to help where she could. Once Caleb is dead, she helps more, in more
drastic ways. You could say that it took the
death of “her” man to move her to pivotal action/revenge. Thinking that he
was dead gave her the edge to risk everything. She killed her father, the King
of The New America, because she was angry and wanted change and revenge. To
her, it was his revolution, and she
wanted it to happen because she loved him and she saw the terrible conditions.
She was able to do it, but she didn’t do it for
him, for him to love her, or so they could live freely together. He was already
dead. She did it because it would bring the change they wanted. She got him
back after she achieved her goal, and she wasn’t expecting it. He wasn’t her goal. He was an unexpected
revelation. It can be said that the author gave her a happy ending that she
wasn’t expecting, but she deserved it. I do wonder though, how different the
book would be if Caleb was never “dead”. Would she have had the courage to kill
her father if Caleb were still alive? Would the task be purposed to her? What else
would she have done, if anything at all?
The
only thing I find strange is that she calls herself his wife. Well, that’s
nice, though technically they aren’t married. But what do you call yourself?
Declaring that she’s his girlfriend
doesn’t do much for last words of a novel. Maybe the hospital won’t let her see
him if they aren’t related. It’s just that they aren’t so it was weird to hear
it. I’m sure they do get married and
live happily ever after the book (and apparently, the author has written an
epilogue, though I don’t think it’s needed).
Final Verdict
If the first two books of the Eve
trilogy excited you, the third is an excellent conclusion. It’s a realistic
rebellion story – Eve is a single cog that has an important role in one event,
but she doesn’t win the war all by herself, and she doesn’t even fight. Eve
does her best to act appropriately when, in previous books, she failed. The
series is great material for that teen who has read all the popular dystopian
novels already.
Subscribe to:
Posts (Atom)