The Gilmore Girls Reading List

Wednesday, 27 June 2018

The Immortal Rules by Julie Kagawa

Blood of Eden
Published: 2012
Publisher: Audible
Author's Website 
Format: Audiobook, Unabridged
Series: Blood of Eden
Narration by: Thérèse Plummer

Introduction 

In a dystopian future, a disease called "Red Lung" wiped out most of the humans. Now, vampires reign and humans are used for their blood. Cities are walled and humans who do not feed the vampires--unregistereds--are unsupported and starving. Allie is unregistered, hating the vampires to her core, living with her small group of fringe scavengers to survive. In addition to vampires, there are rabids--crazed monsters that didn't quite become vampires in the turning process. During a scavenging outing gone terribly wrong, Allie has to make a terrible decision.

Eventually, all alone in the world, she tries to find a purpose. From a band of humans, she learns of Eden, a place free from vampires.

Protagonist

Allie is a rough scavenger. She talks back, is sarcastic, and wields a katana. She does have a nice side; teaching others to read, making sure Stick doesn't starve, and going out of her way to help even the people that hate her. She is definitely not passive and it is refreshing.

The Love Interest

I wasn't too attached to him. Everyone hates vampires without question, kind of like how everyone hates the pixies in Carrie Jone's Need series. You love someone, they hate what you are. At what point do you throw up your hands, call them a bigot, and tell them to save themselves? And Allie isn't a damsel in distress in this book. She has a sword and will kick butt. She does more than her share of saving others, all while hiding what she is.

Essay Topics

Discrimination (humans vs vampires OR vampires vs humans) would be a very easy one, and it can be paired with Wicked, Need, or pretty much any other YA paranormal book. You could also look at vampire depictions across different genres/publication dates/marketed audience. These vampires are ruthless monsters. Twilight, not so much. Interview with a vampire, they can be, but they are very Romanticized. Depending on the story, vampires represent many different types of real-life fears, and you can tie in some film clips, if you have to present the argument (the film rights have been sold, but we will probably have to wait a while before it is released).


Worst character award goes to:

Stick.

Morgan has his stick.


Rafiki has his stick.


This Stick, is not good.

Second to Stick in the worst character award:

Ruth.

Final Thoughts

An interesting mix of paranormal and dystopian fiction with a female protagonist that can hold her own and vampires that don't suck (har-har). Julie Kagawa is a popular YA author, so I see no reason to exclude this book from a YA section. I hope to alternate between this series and the Immortal Game series by Ann Aguirre.

Secrets in the Attic by Virginia Andrews / Andrew Neiderman


Virginia Andrews also published under V.C. Andrews
This was actually written by ghostwriter Andrew Neiderman
Published: 1979/1997? Conflicting dates.
Publisher: Pocket Books
Author's Goodreads Page
Ghostwriter's Website


Quick Review

Karen and Zipporah are best friends, hanging out in Zipporah's attic, making fun of their classmates and talking about boys. When Karen's life seems to unravel, Zipporah is concerned and tries to get to the truth.

But Karen's story isn't so black and white. 

Young Adult Literature?

Goodreads has this listed as YA, which is why I am including it here. I don't know how this was marketed back when it was published. Just because you have two main characters who are teens does not mean that it is a good example of YA literature. Why do I say this? Because these teens do not act nor speak like teens. They speak like my grandmother would write or describe formally, which is not how young people speak, even in 1979 or 1997. This is sad. None of the teens described are really good depictions of young adults. It reads more like how an adult, who doesn't know any better, would say teens act. Times do change, and I wasn't around in 1979, but the writing is awful either way (in a fight, would you say someone "embraced" your legs, or someone "grabbed" your legs?), and I suspect some actual teens might find it off-putting. 

And about the writing: say KAREN one more time, I swear.

Library Inclusion

I wouldn't buy this for a library, unless, for some reason, Virginia Andrews (of Flowers in the Attic fame) becomes popular again (and you want even the books she didn't actually write but has her name on the cover). The slow unravelling of deceit was alright, but the poor characterization of two teens doesn't make it worthwhile to me.

Below I have a spoiler for something that bothered me in the epilogue, if anyone is interested. Aside from that, this review is done, so you can stop reading it now if you don't want to spoil anything.




  










The Epilogue

Everyone figures out Karen is a manipulator and liar. Why doesn't Zipporah bring up that Karen SAID she slept with two other men, instead of letting her brother's name be dragged through the mud? Karen's mom may be right about who the father is, but we're just not going to bring up any other names in this? No? Anyone? Ok. I don't know if they had paternity tests whenever this is supposed to take place (and I don't care too much to research it), so they'd never really know the truth. I just found the absurdity of the ending to be lazy writing so Karen can be reborn "into the family".  

Wednesday, 13 June 2018

The Siren by Kiera Cass


Published: January 26th 2016
Publisher: HarperTeen
Author's Website

Introduction

The Ocean calls them to ships or the sites of disasters to bring a mass of people into their watery graves by singing to them. Kahlen was one of those who heard the sirens' song, and the Ocean decided to keep her, making her siren for 100 years. Along with her siren sisters, she serves Her, the Ocean, through the decades. Kahlen struggles to do what she must, but she obeys because once her sentence is over, she can have a normal life. Fall in love, have a family, go to school, use her voice to communicate. And then a boy stumbles (or perhaps jitterbugs) into her life, and he throws her plans--and the Ocean's--into disorder. 

Genre/Demographic

This book was an interesting mix. It definitely was fantasy (sirens), romance, and it has mass death in it, plus the emotions of being part of that.

While this does fall into the category of  YA on Goodreads, I'd say this is more for an older YA audience, but not quite new adult. There's implied physical relationships, alcohol consumption (but only a bit from the narrator), and most of all, the scenes of shipwrecks. Cass doesn't describe drowning, but you get the horror of a huge ship capsizing with no survivors. The MC, Kahlen, fills in the blanks for the reader by relating the huge amount of guilt she carries, and how she'd rather look away. I think the way the author wrote this so delicately really lets the reader's imagination do its job, and it's so much better than describing it in detail.

It was also a fast read--I was able to read most of it in one day when I was volunteering at a reception desk. I appreciated that the book doesn't dwell on details like the houses they live in, clothes they wear, partying, etc., which I believe are some complaints that Cass gets for her other series, The Selection (the film rights were sold for a film for this in 2015, if you are interested). Each of Kahlen's sisters is unique with their hobbies and mannerisms, and I enjoyed reading about all of them. We get just enough of everything to fill in ourselves and continue on.

Insta-Love

10 days.

That's how long they knew each other for.

10.

Days.

No. 

This is from page 160 of the 2016 paperback (I blacked out the love-interest's name). I got serious Edward Cullen vibes. What's with people thinking this is endearing?


Essay Ideas

An easy idea is to compare this to other mermaid/siren stories, such as the Han's Christian Andersen fable, Amanda Hocking's Watersong Series (which I reviewed some of), Forgive My Fins, and...that's all I can think of. But Goodreads has these two lists: YA Mermaid Novels and Best Mermaid Books.  

Some more ideas can be an exploration of the Enthralling Siren trope and the Femme Fatale trope, as I don't necessarily think they fit the bill for it (reluctant femme fatales?). A paper can probably be written about the subversion of these tropes.   

A bigger topic can be exploring nature personified (the Ocean, which is so motherly She gets unbearable sometimes). 

Upcoming Mermaid Films

Like Mermaid films?

Final Thoughts

It is the most mature book on sirens/mermaids I have read thus far. I recommend it for an older YA audience. I suspect that a younger audience might become bored. Cass is a popular author, so I think including this in the YA section of a library is an easy yes

Sunday, 10 June 2018

The Queen's Rising by Rebecca Ross


Published: February 6th 2018
Publisher: HarperTeen
Author's Website

Introduction

Brienna's grandfather has placed her in Magnalia House, a boarding house to intensively study one of the five passions: art, music, wit, theatre, or knowledge. The problem is, at 10 years old, she doesn't have an innate ability in any of the passions. Her grandfather convinces the Dowager (headmistress) to take her, even when they were already full. All she knows is that it has something to do with her mysterious father. Ardens (students) live and learn at Magnalia House for 7 years, and Brienna must master a talent and secure a patron (an employer). Obtaining a patron doesn't go as planned, but she does become entangled in politics from the neighbouring country, Maevana. Maevana was once ruled by queens, and is now ruled by a ruthless king. The queen is rising, and Brienna finds herself part of the uprising.  

IF YOU'RE READING A PRINT COPY, DON'T READ THE FAMILY TREE IN THE FIRST FEW PAGES. Seriously, it's like putting Luke Skywalker's family tree before the scrolling wall of text.

Similar Stories/Essay Ideas

The easiest thing to compare this to is Divergent. Brienna doesn't have more than one talent, but I think she benefits from knowing a bit about each one. There also isn't much on the line for her if she fails to passion (become a master), other than being embarrassed and going home, not like in Divergent. Harry Potter comes to mind as well, as Houses are separated by personality. I don't tend to read many stories that separate their people like this, so this is all I have.

Feminist matriarchies come to mind as well, as Maevana has always had queens, and they highly respect their women. An essay can easily be written about feminism or matriarchies. 

Romance

There is a romance that is a bit problematic. The romance of Brienna's story doesn't take up much space, but it's there. This part of the story might bother some people.  

SPOILERS AHEAD!




I have a problem with who Brienna ends up with. He seems to be a fine young man, but the issue is that he IS A YOUNG MAN. At the end, Brienna is 18. He is 26. If that was it, I don't have much of an issue with it. But he was her teacher. There's a major power imbalance. He doesn't act on his feelings until she's about to leave. Ok... but he knew her when she was 10, and he was a teacher. Something about this is so skeevy. It didn't seem that he was grooming her, and he only taught her for her last two to three years. It also didn't help that the audiobook makes him sound like an old man. Anakin and Padme is so close to this. At least she wasn't his teacher. 









End of Spoilers 



Final Thoughts

It was a great book! The author has stated on Goodreads that there is a second book coming out next year. There's action, school drama (at the beginning), a tiny sprinkling of romance, some mystery, a tiny bit of magic, and a bit of simple politics. I liked how it wasn't a YOU'RE THE CHOSEN ONE, BRIENNA, story. A queen is rising, she's not the queen. It makes the rest of us pleebs feel good. I see no reason to keep this from a library collection. 

Friday, 8 June 2018

A Monster Calls Film, Book to Film Adaption


This 2016 adaption of Patrick Ness's A Monster Calls was alright. I'll make this quick review based on my thoughts about it being shown in a library or having it in the collection. 


Library Showing

I think the problem with this film is similar to what I also believe is an issue with the book (perhaps): most adults can enjoy it, because adults can theoretically relate to dying before their children. Teens, though, I think the book might not connect with everyone unless they are dealing with a parent that is ill. Honestly, I don't think I would have connected with the book at all when I was the target demographic. I'm fairly certain I would have found it childish. Like the film, there's something childish about Conor that I found off-putting. But as an adult, I can appreciate what he's going through. 

Ultimately, I don't think it would hold the interest of teens, unless you can find a group of them that WANT to see it together.


Library Collection 

Why not? I suppose someone might be upset by the bullying. It wouldn't go in the children's department, and I never hear of teens' sections having AV materials. There shouldn't be too much trouble putting it in the regular film collection. 


Other Thoughts

The three stories are animated instead of live action. I think the animation is good, but it's jarring. I get why they did it for the narrative, though. 


The monster was interesting. I suppose it is like most films where you get to see the monster up close and regularly: it becomes familiar and no longer frightening. 


There's a lot of scenes that adults get how good they were filmed.



I felt that it was an ok film, and I'm a little disappointed, but it did convey the story nicely. No reason not to include it in your collection, though it is a few years old now. I'm waiting on the Chaos Walking Trilogy to be filmed. 

Monday, 28 May 2018

A Monster Calls by Patrick Ness


Published: August 27th 2013
Publisher: Candlewick Press

Introduction

Every night at 12:07, a monster comes to13-year-old Conor. It wants stories, to tell them, and to hear them. The ancient creature wants Conor's story, a truth that the boy refuses to acknowledge. The monster began coming after Conor's mother started another round of treatments at the hospital. He has become That Kid, and he despises how other people treat him differently. Without his father in his life, he is left with his maternal grandmother, a woman detached from her grandson. And the monster continues to call, demanding to be heard.

Male Protagonist

I originally found Ness years ago when I was looking for books that have believable male main characters, preferably written by male authors. In this regard, this book doesn't disappoint. I appreciated that Conor, as a boy, handles his grief, and bullying, and family issues, differently compared to a girl. I suspect there's more literature with girl MCs in this genre. I find that sometimes male characters are written like tom-boy girls or the author's lay on the masculinity THICK. I recommend this for male readers who really don't want to read books with female leads. 

Essay Ideas/Grief and Mourning books

Without directly saying it in the novel, Conor's mom is going through cancer treatments. This may put this book on the "sick lit" category, but Ness handles this very delicately, and it is not the MC that is ill. Another book that it can be compared/contrasted to is Shoulder the Sky. I see that it is often on the same lists as The Fault in Our Stars, but Monster Calls is about when a parent has an illness. I think it would still be an excellent candidate for an essay discussion. 

Book Riot has a list of 6 YA Novels About Grief and Mourning that should be helpful. Aside from Fault, I haven't read them (though they are now on my Goodreads list). 

Other topics could be fear (about the future, mortality), family, and magical realism. An essay I would love to see would be looking at monsters in literature and their psychological symbolism (Frankenstein's monster, Dracula, dragons, dementors, Cthulhu, Mr. Hyde, zombies, etc.). 

Film

Update: I reviewed it here. For now, have a Gif from the film!

It's ok, it's just a giant hand.
Final Thoughts 

This is a very touching book about a very difficult, but real situation a young person (or anyone) can find themselves in. I don't see a reason why this shouldn't be in a library collection. Not only is Ness a gifted writer (The Chaos Walking trilogy is one of my favourite sets of books), it's a book that may be helpful to someone, or they may relate to it. It's also a tear-jerker, if you feel like you haven't had a good cry lately. 

Sunday, 25 March 2018

Keeper by Kim Chance


Published: January 30, 2018
Publisher: Flux Books/Northern Star Editions
Author's Youtube

Introduction

Lainey thought the SATs were the worst thing in her life. Then, a 200-year-old witch attacks her in a parking lot. The witch shows up, bleeding, scaring the bejesus out of her. She also meets a handsome new boy. Then, everything she thought she knew about her life gets blown out of the water -- the world of the magical rises up and threatens everything she has known. To avoid the evil that is pursuing her, she will have to: 1. Believe in the unbelievable, and 2. Be stronger than she ever thought possible.

Beginning 

The beginning was boring, I'll say it here. I'm surprised, with all the beta readers she has listed, that this is what was published. I really had to make myself keep reading. The ending was a huge payoff for my efforts, but seriously, the beginning and most of the middle was a slog to get through. I considered abandoning the book. I had been watching Chance's Youtube channel for a while now, and I know she's better than this lousy beginning.

Atmosphere/Overall Feel

This book is mostly a Buffy the Vampire Slayer kind of romp. Which isn't bad, but it's predictable. I was hoping for a bit more horror. We get a bit of that in the beginning, with the bloody witch following Lainey around. But where does this happen? In a parking lot of a comic book store. That's terribly mundane. Most of the novel takes place in familiar settings such as: parking lots, cars, and home. Sometimes they go to a bookstore, and hey, they go to the cemetery a couple of times.

There is also a lot of comic book and general nerd references from best friend Maggie all the time. I didn't mind the references, but Maggie's catchphrase got old real fast.

Insta-Love 

Although the term "love" isn't thrown around much until the latter half of the book, here is another pot of instant love/love at first sight. I'm sick of this. I get that younger people tend to be smitten, but how naive do we all think young adults are?

The Good Parts

I know I'm throwing this book to the wolves. There were some great parts. Unfortunately, I don't want to spoil the entire latter portion of the book. However, the pace picks up, the stakes are raised, and Lainey stops being so bloody mopy/dramatic. There are many moments where my cold, frozen heart started to melt with the sad turn of events--and there are many!

At the end, there's a major betrayal. On par with the movie Frozen. All I'm going to say is that someone needs to get revenge in the next book.

Final Thoughts

I'm glad I made it to the end. I'm sure her sequel will be better, as the world building and set up are done. Would I recommend it for a library purchase? Sure. Librarians don't need to adore every book in their collection. There isn't anything subjectively offensive (blood happens, and that's all I can recall), and a few mild swears. I'd say if someone asks for it, buy a copy and put it in your collection. When the sequel is released, read that, and maybe the series will begin to sway you.

I did, however, notice two mistakes in the writing. Why does this happen? Self-published books that are put out way too soon, I see why it happens (still not saying it's ok, btw). Keeper has a traditional publication, with an editor!

WHYYYYY?
Lilo basically sums up my thoughts for this book. Great premise, boring beginning, two writing mistakes, but a great ending, and a desire to read more of the good writing.

Friday, 9 February 2018

The Ravenous by Amy Lukavics


Published: September 26, 2017
Publisher: Harlequin Teen

Introduction

The Cranes are a family of five sisters that look picture-perfect from the outside. What the world doesn’t know is that their home life is less than ideal. When tragedy strikes, it threatens to rip their world apart, but their mother steps in with a mysterious fix that has disastrous consequences. The dead don’t have to stay dead, for a price.

NB: If you don’t want spoilers, don’t read the book blurb! I know the jacket blurb isn’t up to the author, so she gets a pass. It’s a poor decision on the publisher’s part to spoil the entire plot if you read the dust jacket. I’m very glad I didn’t read the whole thing before I read the book.

Family Dynamics/Characters


The Cranes are so dysfunctional it’s hard to read at times. If you’re looking for a book to compare and/or contrast family life in literature, this is a good pick as there is lots of evidence. The mother is mentally ill and an addict, and not equipped to be a caregiver. The maternal responsibilities fall to the eldest daughter, Juliet, which causes resentment. Next in line is Taylor, who cannot separate herself from Juliet, and she really doesn’t have any other outstanding character traits. Anya uses...illicit substances, but is otherwise fine. Mona, the main character, has her own problems. The youngest, Rose, is too young to have any real problems, yet, and she is loved by the family. Their father is in the military and is deployed or otherwise engaged outside of the house.

What I did like about this family is how each of the characters has their own personalities. Have you ever read a book that has many characters but they are all flat? Where you could easily cut 50% of the characters because they don’t add anything? It is not the case for this book, as all of the characters add something and move the plot forward.

Writing

Just as with The Women in the Walls, the horror scenes were fantastic. They elicited a visceral reaction that you don’t always get with horror novels. Unlike The Women in the Walls, the other writing was mostly improved. When there wasn’t guts and gore being thrown around, the story was just as engaging. My only point of contention here is the swearing. Yes, young people swear. It’s true! But it’s inserted in here so much it’s awkward. It’s a part of speech that needs to flow, but it’s jarring here and disrupts the regular patterns of speech.

I do have to say, the inciting incident was poorly written. It is reminiscent of a main character’s death in Sever. I stopped and asked, what actually happened? I can’t envision it. It’s also unbelievable. I can think of a few ways to at least make it more believable, but we got what we got, and it’s disappointing.

Military Aspect

I had written A LOT on this, and ultimately, I took off a star from my review. I have chosen to remove the critical bits because the last thing we need is the military calling my husband because they don't like what I wrote on the internet. I'll only give my briefest comments, but it is something that really took the novel down a peg for me.

The Cranes live on a military base, but it is evident that the author doesn’t have substantial knowledge of the military. Maybe don’t rely on only one person to give you info for the setting of a book. There are many parts of this novel that I cringed so hard because it was wrong by varying degrees. Every gif is at least a paragraph that I removed.



The end. I rolled my eyes so hard it’s a miracle I can still see. The military police would have been involved MUCH more than the regular police. You live on base, that’s it. And in all probability, their dad wouldn't have his job anymore. That's all I say.



The dad being deployed/posted, considering their family situation. Unlikely. All this information is readily available on the internet, btw.



Yeah, there was more. This whole page would be gifs if I kept going. So, below are some spoilers. Feel free to go to the Final Thoughts.




Other Issues

I expected THEM to drive the convertible to their mom and Harlow to see what was keeping their mom/get the cure themselves. To me, this is the obvious course of action that just isn’t taken. I don’t recall it ever being suggested, either.



End of Spoilers

Final Thoughts

Despite all the gripes I have against the setting, and some of the holes I found, I really did like this book. Could it be better? Yes. (Instead of the military setting, he could travel internationally for business.) Aside from the compare and contrast with this dysfunctional family, I can’t think of other ways to utilize this for academic work. The military aspect should have been axed-Lukavics needs to stick with what she knows if she can’t be bothered to research properly. But for a horror story with a dysfunctional family, it was great. If your library is alright with horror for a YA audience, such as Lukavic's other book, Women in The Walls, I recommend this book.

Friday, 5 January 2018

The Women in the Walls by Amy Lukavics

Published: 2016
Publisher: Harlequin Teen
Author’s Website: http://www.amylukavics.com
On Goodreads
My Review on Goodreads

Setting

The book is set in a Victorian mansion in contemporary times. It is a great setup for a horror story: lots of space (dark halls, empty rooms, attics, repetitive wallpaper, fireplaces in the rooms), no neighbours (particularly isolated), and surrounded by woods. There is a hint of female madness, men trying to keep control, ghosts, disappearances, all the good stuff.

Essay prompt: Gothic tropes in literature - compare the classic Bran Stoker’s Dracula (1897) or any literary gothic horror (this whole list is available from Goodreads and has great suggestions) with The Women in the Walls (a “then vs now” comparison for gothic themes would be great).

However, I feel like this book could have been set 100 years ago, and it would have been more dynamic because of gender roles. But you can’t conveniently boot up the computer and Google your house LIKE YOU NEVER WOULD HAVE DONE THAT BEFORE.

Essay prompt: The Women in the Walls vs The Yellow Wallpaper or Jane Eyre and madness with gender (women’s power vs the infantilization of women).

Characters 

Overall, the book did have some memorable characters. The further you go away from the protagonist, Lucy, the better the characters are developed. 

To begin with, the book doesn’t take enough time to set up the characters and bonds before those characters begin to be plucked off. Why do I care if a character goes missing in the first few pages of the book? I feel like I am supposed to care, but I can’t. More time should have been given to conveying them to the reader. 

The main character, Lucy, doesn’t have a consistent character. I know at 17 you are still figuring that out, but what are her hobbies, her fears, her hopes, her manner of speaking, etc.? She self-mutilates, but that really shouldn’t be the only thing we know about her. (Plus, please don’t think that someone who cuts is this simple and flat. People who genuinely start cutting do so for very complex reasons.) She’s entrenched in the Acosta’s legacy. She seems unreasonable to her father (even though, yes, a lot of what is going on needs to be questioned) and that’s the only consistencies I could find. She mostly lets the plot happen to her, which gets old. 

Her father seems to have more of a defined character than Lucy. Margaret was an unlikable character, but she had more character than Lucy. Perhaps Lucy is a Mary Sue, which is an avatar for the author. The country club’s wives, their husbands, the new cook, the supernatural presence, all have more character than the main character. 

Writing

When the author isn’t writing about something scary, the writing isn’t the best. The sentences could be tighter and clearer. I found as I was reading them, my brain was automatically correcting the sentences. However, I have read that her latest book, The Ravenous, is a much better example of good writing, and I look forward to reading it (I actually own all three of her currently published books already). I want to stress that when Lukavics does write the “scary” passages, they are genuinely unsettling. Because those passages are so engaging, the book was a quick read that didn’t make me want to skim. 

Final Verdict 

The main character’s lack of individuality and inability to move the plot herself is frustrating, it may turn off some readers. With the addition of the non-horror sections not being especially well-crafted, I can see this be disappointing to some readers. However, I do recommend it for its horror qualities. Plus, it is a fast, engaging read. If your library isn’t squeamish about horror, non-suicidal self-injury, and gore, I recommend this. This book can be very versatile for high school essays (if you’re a teacher who is adamant about pushing the classics, pair this book with a literary classic). I also think Lukavics is an author to watch, if the reviews for The Ravenous are to be believed (and I will be starting that book tomorrow). Overall, I enjoyed my time with this book and I will be keeping it on my shelf.

Monday, 18 December 2017

A Boy and His Dog (Short Story) by Harlan Ellison VS the Film

Published: 1969
Film: 1975


15-year-old Vic is a survivor of World War IV. In this alternate world, dogs have achieved telepathic abilities, and Vic has teamed up with a dog named, Blood, arguably the smarter of the pair. Together, they scavenge the wasteland of the former United States. They search for food, shelter, and women for Vic. It is in this quest that they find a woman named Quilla June, who is out to lure Vic for her own purposes.




I'm doing things a little differently here, so anything beyond here may have spoilers!






Sexist Attitudes of the Protagonist and the Post Apocalyptic Wasteland
  
In the post-apocalyptic wasteland, it’s every man for themselves. Women are used for sex, and it’s not often that women are spotted. Vic grew up in this world, presumably without the proper guidance that we, today, give children. So, is not surprising that he is a product of more primal urges. The story is not framed in a way that gives the impression that Vic (or the author) think that what they are doing is moral, just that it is the new norm in that world. Women are commodities, just like food, shelter, and weapons. I point this out because I know there are large groups of readers who are more sensitive to these topics. I don’t believe it isn’t worth reading, even when it is, at times, difficult to read how badly the world has fallen.

Unlikable Protagonist
I foresee that some audiences might not like Vic, or the story in general, on principle. As for not liking a protagonist because you don’t agree with his morals or actions, a protagonist isn’t a hero. By literary definition, it’s just the main figure of a story. A third-grade teacher might say the protagonist is a hero so their students can understand, but protagonists are so much more. We don’t have to like them. We can’t always believe them. But we follow their story. (Did you know there are people in this world that we don’t like, but have interesting stories? Shocking.)

Film Adaptation





Have an essay in university that you need to compare and contrast the original source material (novel, short story, etc.) with an adaption (comics, films, etc.)? Consider Ellison’s “A Boy and His Dog” and the 1975 film. Are you objective? Can you also write objectively? It couldn’t hurt to know how closed-minded your professor is, too. When I was in high school and 17-years-old, this would have been deemed outrageously inappropriate. But when I was in my first year of university and 17-years-old, nothing is deemed off-limits. The short story “A Boy and His Dog” is arguably not high school reading, but by the grace of being in university or college, a wider range of reading material is opened up to students who may still be teenagers. I am actually disappointed that I didn’t use this for one of my adaptation essays. I usually only write about homework with high school students in mind, specifically, but I thought I would throw some ideas out on the internet in case anyone needs some inspiration. Note: I don’t have access to a lot of English literary criticism databases anymore, so perhaps this is overdone to death. What I am interested in is how the film toned-down/dumbed-down the messages for the screen.

Decrease in Crude Language and Behaviour

I can see why the film version made him less crude and forceful with his interactions with women (though he does have quite the remark about the woman who was killed in the beginning of the film). Even in the 70s, I think it would have been hard to reveal on the screen that Vic had indeed, raped many women before, hurting them, leaving them in dangerous situations, and had zero regards for them as people. He was specifically trying to find Quilla for this purpose, but in the film, he softens quickly to her idea of being together forever (as long as Blood can come, too).

The film also has nudity (as in, topless women, mostly Quilla). The tagline for the film is: “An R-rated, rather kinky tale of survival”, which is, arguably, rather false advertising. It gives it a pervy allure when it is much more than that. I would be interested in a paper discussing why this tagline would be deemed better than say, something that exalts the post-apocalyptic world, friendship, and love?

Quilla June: Book VS Film



What was disappointing to me is how obviously evil she is in the film. In the book, it’s ambiguous how the reader is definitely meant to feel about her. Vic’s ultimate decision brings an array of possible reactions/emotions: disgust, resignation, understanding, sadness. 

In the film, she is a terrible person who is using Vic for her own agenda. So when it’s barbeque time, it’s difficult to have too many conflicting emotions about it. Blood would aggravate Vic, but Quilla is undeniably a detestable character. The film dumbed-down the whole conflict. This should have been the best aspect of the film and it turned it into, eww, cannibalism! No. The ending to the book is, “A boy loves his dog.” The film ends with Blood saying, “Well I'd say she certainly had marvellous judgement, Albert, if not particularly good taste.” Way to kill any kind of nuance.

Book Topeka vs Film Topeka


You can look at your best friend and say, "To the farm, immediately" and have an in-joke. There, I just gave you a thing. 

Topeka in the book is stated to be more religious, as they had kicked all the scientists out to establish their own rule. Other than that, it isn’t described in detail.



In the film, Topeka is an oligarchy that imitates the deep south in dress and morals. The townspeople are in whiteface with painted smiles and rosy cheeks. The film is also full of bright colours, and the atmosphere isn't described that way in the book (I got the feeling that it was dingy). They get rid of the people who don’t fit in by sentencing them to the farm, immediately (as in, where your parents tell you where your dog is because they are too cowardly to tell you Rover has died). While I find that the film Topeka is much more interesting, it is again portrayed in such a way to make the audience’s distaste for it obvious. Why do we assume that film audiences are stupid?




Final Thoughts

Originally, I discovered this more than 10 years ago from the I Read Comics podcast by Lene Taylor. I can't see which episode specifically talks about it, though they are all great. I am indebted to her, not only for all those hours of entertainment, but for introducing me to more stories I would have never come across otherwise. She currently blogs at Look At His Butt! and that has it's own podcast (her voice is exceptional btw, go check her out).

I can't recall if it was her or a guest, who basically said, Well, it's not called A Boy and His Dog and His Girlfriend. And that sentiment has literally stayed with me and I've repeated it so many times I've lost count.

Update: Harlan Ellison's passing on June 27

Unfortunately, the author passed on June 27 in his sleep. He was writing another book in this series and a screenplay. Perhaps one day we'll get to enjoy the rest of his story.